賴逸倫主要以陶瓷雕塑作為創作媒介，擅長以刻畫寫實的人物雕塑，並且講究著作品曲線的雅緻，沈穩、古典且樸質的堆疊出人物體態，有種文藝復興時期的雕像比例。

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雕塑以獨具風格的肢體語言，演示對於周遭有限資源、惡劣環境、人性黑暗面以及制度崩壞的看法，神話式的勸善又帶著超現實風格的嘲諷。

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Yi Lun Lai primarily uses ceramic sculpture as a medium for his creations. He excels at depicting realistic figurative sculptures and pays attention to the elegant curves of his works. The stacked figures exhibit a serene, classical, and unadorned quality, reminiscent of the proportions found in sculptures from the Renaissance period.

With a distinctive body language, his sculptures portray views on limited resources, harsh environments, the dark side of human nature, and the collapse of systems. They combine mythical moral persuasion with a touch of surrealistic satire.